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Tragedy is a form of drama based on human suffering that invokes in its audience an accompanying catharsis or pleasure in the viewing. While many cultures have developed forms that provoke this paradoxical response, the term tragedy often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That... MORE Tragedy is a form of drama based on human suffering that invokes in its audience an accompanying catharsis or pleasure in the viewing. While many cultures have developed forms that provoke this paradoxical response, the term tragedy often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its obscure origins in the theatre of ancient Greece 2,500 years ago, from which there survives only a fraction of the work of Aeschylus, Sophocles and Euripides, through its singular articulations in the works of Shakespeare, Lope de Vega, Racine, and Schiller, to the more recent naturalistic tragedy of Strindberg, Beckett's modernist meditations on death, loss and suffering, and Müller's postmodernist reworkings of the tragic canon, tragedy has remained an important site of cultural experimentation, negotiation, struggle, and change. A long line of philosophers—which includes Plato, Aristotle, Saint Augustine, Voltaire, Hume, Diderot, Hegel, Schopenhauer, Kierkegaard, Nietzsche, Freud, Benjamin, Camus, Lacan, and Deleuze—have analysed, speculated upon, and criticised the tragic form. LESS |
Schindler's List 20th Anniversary Trailer |
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Adapted from the novel by Thomas Keneally, Steven Spielberg’s masterful film tells the incredible true story of the courageous Oskar Schindler (Liam Neeson). Initially a member of the Nazi party, the Catholic Schindler risks his career and life, and ultimately goes bankrupt, to employ 1,100 Jews in his crockery factory during the Holocaust. Schindler’s Jewish accountant (Ben Kingsley) serves as his conscience, as Schindler conducts business with an obstinate and cruel Nazi commander (Ralph Fiennes), who viciously kills Jewish prisoners from the balcony of his villa overlooking a prison camp. Filmed entirely in black-and-white on location in Poland, Schindler’s List does not downplay the faults of its magnanimous and unlikely hero, but relates a story of the triumph of the human spirit in the face of horrific devastation and tragedy.
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