Watch The Sting Videos

Release Date: 1973

Cast: Sally Kirkland, Paul Newman, Charles Dierkop, Robert Redford, Robert Shaw, James Sloyan, Jack Kehoe, Harold Gould, Ray Walston, Eileen Brennan, John Heffernan, Charles Durning ...MORE

Cast: Sally Kirkland, Paul Newman, Charles Dierkop, Robert Redford, Robert Shaw, James Sloyan, Jack Kehoe, Harold Gould, Ray Walston, Eileen Brennan, John Heffernan, Charles Durning, Robert Earl Jones, Dana Elcar, John Quade, Dimitra Arliss ...LESS

Categories: Movies, Gangster, Action, New Hollywood, Crime, Period Piece, Crime Fiction, Crime Comedy, Comedy, Drama Film, Buddy Film

The Sting is a 1973 American comedy film set in September 1936 that involves a complicated plot by two professional grifters (Paul Newman and Robert Redford) to con a mob boss (Robert Shaw). The film was directed by George Roy Hill, who previously directed Newman and Redford in the western Butch Cassidy and the Sundance Kid. Created by screenwriter David S. Ward, the story was inspired by real-life con games perpetrated by the brothers Fred and Charley Gondorff and documented by David Maurer in his book The Big Con: The Story of the Confidence Man. The title phrase refers to the moment... MORE

The Sting is a 1973 American comedy film set in September 1936 that involves a complicated plot by two professional grifters (Paul Newman and Robert Redford) to con a mob boss (Robert Shaw). The film was directed by George Roy Hill, who previously directed Newman and Redford in the western Butch Cassidy and the Sundance Kid. Created by screenwriter David S. Ward, the story was inspired by real-life con games perpetrated by the brothers Fred and Charley Gondorff and documented by David Maurer in his book The Big Con: The Story of the Confidence Man. The title phrase refers to the moment when a con artist finishes the "play" and takes the mark's money. (Today the expression is mostly used in the context of law enforcement sting operations.) If a con game is successful, the mark does not realize he has been "taken" (cheated), at least not until the con men are long gone. The film is divided into distinct sections with old-fashioned title cards with lettering and illustrations rendered in a style reminiscent of the Saturday Evening Post. The film is noted for its musical score—particularly its main melody, "The Entertainer", a ragtime composition by Scott Joplin, which was lightly LESS