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Release Date: 1930 Cast: Feral Benga, Lee Miller, Enrique Rivero, Pauline Carton, Odette Talazac, Jean Desbordes
Categories: Movies, Surrealism, Experimental film, Avant-garde The Blood of a Poet (French: Le Sang d'un Poète) (1930) is an avant-garde film directed by Jean Cocteau and financed by Charles de Noailles. Photographer Lee Miller made her only film appearance in this movie, and it also features an appearance by the famed aerialist Barbette. It is the first part of the Orphic Trilogy, which is continued in Orphée (1950) and concludes with Testament of Orpheus (1960).
The Blood of a Poet is divided into four sections. In section one, an artist sketches a face and is startled when its mouth starts moving. He rubs out the mouth, only to discover that it... MORE
The Blood of a Poet (French: Le Sang d'un Poète) (1930) is an avant-garde film directed by Jean Cocteau and financed by Charles de Noailles. Photographer Lee Miller made her only film appearance in this movie, and it also features an appearance by the famed aerialist Barbette. It is the first part of the Orphic Trilogy, which is continued in Orphée (1950) and concludes with Testament of Orpheus (1960).
The Blood of a Poet is divided into four sections. In section one, an artist sketches a face and is startled when its mouth starts moving. He rubs out the mouth, only to discover that it has transferred to the palm of his hand. After experimenting with the hand for a while and falling asleep, the artist awakens and places the mouth over the mouth of a female statue.
In section two, the statue speaks to the artist, cajoling him into passing through a mirror. The mirror links to a hotel and the artist peers through several keyholes, witnessing such people as an opium smoker and a hermaphrodite. The artist is handed a gun and a disembodied voice instructs him how to shoot himself in the head. He shoots himself but does not die. The artist cries out that he has seen enough and returns LESS
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