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Robert Siodmak (8 August 1900 – 10 March 1973) was a German born American film director. He is best remembered as a thriller specialist and for the series of Hollywood film noirs he made in the 1940s.
Siodmak was born in Dresden, Germany, the son of Rosa Philippine (née Blum) and Ignatz Siodmak. His parents were both from Jewish families in Leipzig (the myth of his American birth in Memphis, Tennessee was necessary for him to obtain a visa in Paris). He worked as a stage director and a banker before becoming editor and scenarist for Curtis Bernhardt in 1925. At twenty-six he was hired... MORE
Robert Siodmak (8 August 1900 – 10 March 1973) was a German born American film director. He is best remembered as a thriller specialist and for the series of Hollywood film noirs he made in the 1940s.
Siodmak was born in Dresden, Germany, the son of Rosa Philippine (née Blum) and Ignatz Siodmak. His parents were both from Jewish families in Leipzig (the myth of his American birth in Memphis, Tennessee was necessary for him to obtain a visa in Paris). He worked as a stage director and a banker before becoming editor and scenarist for Curtis Bernhardt in 1925. At twenty-six he was hired by his cousin, producer Seymour Nebenzal, to assemble original silent movies from the stock footage of old ones. Siodmak worked at this for two years before he persuaded Nebenzal to finance his first feature, the silent chef d'oeuvre, People on Sunday (Menschen am Sonntag) (1929). The script was written by his younger brother Curt Siodmak, later the screenwriter of The Wolf Man (1941).
With the rise of Nazism he left Germany for Paris and then Hollywood. Siodmak arrived in Hollywood in 1939, where he made 23 movies, many of them widely popular thrillers and crime melodramas, which critics today regard LESS
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