Watch Richard III (1995) Free Online

Release Date: 1995

Cast: Trés Hanley, Nigel Hawthorne, Robert Downey Jr., John Wood, Dominic West, Kristin Scott Thomas, Maggie Smith, Annette Bening, Jim Carter, Ian McKellen, Adrian Dunbar, Jim Broadbent ...MORE

Cast: Trés Hanley, Nigel Hawthorne, Robert Downey Jr., John Wood, Dominic West, Kristin Scott Thomas, Maggie Smith, Annette Bening, Jim Carter, Ian McKellen, Adrian Dunbar, Jim Broadbent, Tim McInnerny ...LESS

Categories: Movies, Period Piece, Political Drama, Film Adaptation, Drama Film, War Film

Richard III is a 1995 drama film adapted from William Shakespeare's play of the same name, starring Ian McKellen, Annette Bening, Jim Broadbent, Robert Downey Jr., Nigel Hawthorne, Kristin Scott Thomas, Maggie Smith, John Wood and Dominic West. The film relocates the play's events to a fictionalized version of Britain in the 1930s. The film's concept was based on a stage production directed by Richard Eyre for the Royal National Theatre, which also starred McKellen. The production was adapted for the screen by McKellen and directed by Richard Loncraine. The film is notable for its... MORE

Richard III is a 1995 drama film adapted from William Shakespeare's play of the same name, starring Ian McKellen, Annette Bening, Jim Broadbent, Robert Downey Jr., Nigel Hawthorne, Kristin Scott Thomas, Maggie Smith, John Wood and Dominic West. The film relocates the play's events to a fictionalized version of Britain in the 1930s. The film's concept was based on a stage production directed by Richard Eyre for the Royal National Theatre, which also starred McKellen. The production was adapted for the screen by McKellen and directed by Richard Loncraine. The film is notable for its unconventional use of famous British landmarks, often using special effects to move them to new locations. The transformed landmarks used include the following: The visually rich production features various symbols, uniforms, weapons and vehicles that draw openly from the aesthetic of the Third Reich as depicted in Nazi propaganda (especially the Triumph of the Will) and war films. At the same time obvious care is put into diluting and mixing the Nazi references with recognizable British and American uniform styles, props and visual motives (also familiar to the average cinemagoer). The resulting military LESS