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Peter Greenaway, CBE (born 5 April 1942) is a British film director. His films are noted for the distinct influence of Renaissance and Baroque painting, and Flemish painting in particular. The scenic composition and illumination and the contrasts of costume and nudity, nature and architecture, furniture and people, sexual pleasure and painful death are common traits in his films. Greenaway was born in Newport, Monmouthshire, Wales, to a teacher mother and a builder's merchant father. Greenaway's family left South Wales when he was three years old (they had moved there originally to avoid... MORE

Peter Greenaway, CBE (born 5 April 1942) is a British film director. His films are noted for the distinct influence of Renaissance and Baroque painting, and Flemish painting in particular. The scenic composition and illumination and the contrasts of costume and nudity, nature and architecture, furniture and people, sexual pleasure and painful death are common traits in his films. Greenaway was born in Newport, Monmouthshire, Wales, to a teacher mother and a builder's merchant father. Greenaway's family left South Wales when he was three years old (they had moved there originally to avoid the Blitz) and settled in Essex, England. He attended Forest School in North-East London. At an early age Greenaway decided on becoming a painter. He became interested in European cinema, focusing first on the films of Ingmar Bergman, and then on the French nouvelle vague filmmakers such as Jean-Luc Godard and, most especially, Alain Resnais. In 1962, Greenaway began studies at Walthamstow College of Art, where a fellow student was musician Ian Dury (later cast in The Cook, the Thief, His Wife & Her Lover). Greenaway trained as a muralist for three years; he made his first film, Death of Sentiment, LESS