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Paul Leni (8 July 1885, Stuttgart – 2 September 1929, Los Angeles) born Paul Josef Levi was a German filmmaker and a key figure in German Expressionist filmmaking, making Backstairs (Hintertreppe, 1921) and Waxworks (1924) in Germany, and The Cat and the Canary (1927), The Chinese Parrot (1927), The Man Who Laughs (1928), and The Last Warning (1929) in the U.S.
Leni became an avant-garde painter at the age of 15, he studied at Berlin's Academy of Fine Arts, and subsequently worked as a theatrical set designer, working for a number of theatres in Berlin (but not with Max Reinhardt).
In... MORE
Paul Leni (8 July 1885, Stuttgart – 2 September 1929, Los Angeles) born Paul Josef Levi was a German filmmaker and a key figure in German Expressionist filmmaking, making Backstairs (Hintertreppe, 1921) and Waxworks (1924) in Germany, and The Cat and the Canary (1927), The Chinese Parrot (1927), The Man Who Laughs (1928), and The Last Warning (1929) in the U.S.
Leni became an avant-garde painter at the age of 15, he studied at Berlin's Academy of Fine Arts, and subsequently worked as a theatrical set designer, working for a number of theatres in Berlin (but not with Max Reinhardt).
In 1913 he started working in the German film industry designing film sets and/or costumes for directors such as Joe May, Ernst Lubitsch, Richard Oswald, and E. A. Dupont.
During World War I he started directing as well with films such as Der Feldarzt / Das Tagebuch des Dr. Hart (1917), Patience (1920), Die Verschwörung zu Genua (1920/21) and Backstairs (1921). Waxworks (1924) was planned as a four part omnibus feature, but the last part was not shot when money ran out. He also made a series of unusual short animated films Rebus-Film Nr. 1 - 8, which were filmed crossword puzzles.
From 1925 Leni designed LESS
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