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Release Date: 1934 Cast: Desmond Roberts, Alan Hale, Sr., Reginald Denny, Leslie Howard, Bette Davis, Frances Dee, Kay Johnson, Reginald Owen, Frank Baker, Reginald Sheffield
Categories: Movies, Romance Film, Pre-Code, Black-and-white, Film adaptation Of Human Bondage is a 1934 American drama film directed by John Cromwell and is widely regarded by critics as the film that made Bette Davis a star. The screenplay by Lester Cohen is based on the 1915 novel of the same title by W. Somerset Maugham. The film was remade in 1946 and again in 1964.
Sensitive, club-footed artist Philip Carey is an Englishman who has been studying painting in Paris for four years. His art teacher tells him his work lacks talent, so he returns to London to become a medical doctor, but his moodiness and chronic self-doubt make it difficult for him to keep up in... MORE
Of Human Bondage is a 1934 American drama film directed by John Cromwell and is widely regarded by critics as the film that made Bette Davis a star. The screenplay by Lester Cohen is based on the 1915 novel of the same title by W. Somerset Maugham. The film was remade in 1946 and again in 1964.
Sensitive, club-footed artist Philip Carey is an Englishman who has been studying painting in Paris for four years. His art teacher tells him his work lacks talent, so he returns to London to become a medical doctor, but his moodiness and chronic self-doubt make it difficult for him to keep up in his schoolwork.
Philip falls passionately in love with vulgar, illiterate tearoom waitress Mildred Rogers, even though she is disdainful of his club-foot and his obvious interest in her. Although he is attracted to the anemic and pale-faced woman, she is manipulative and cruel toward him when he asks her out. Her constant response to his romantic invitations is "I don't mind," an expression so uninterested that it infuriates him - which only causes her to use it all the more. His daydreams about her (her image appears over an illustration in his medical school anatomy textbook, and a skeleton in the LESS
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