Watch Love Me Tonight (1932) Free Online

Release Date: 1932

Cast: Jeanette MacDonald, Joseph Cawthorn, Myrna Loy, Bert Roach, Maurice Chevalier, Charles Butterworth, Blanche Friderici, Aubrey Smith, Charles Ruggles, Elizabeth Patterson, Ethel Griffies

Categories: Movies, Comedy, Romance Film, Musical, Operetta, Romantic Comedy, Pre-Code, Black-And-White

Love Me Tonight is a 1932 musical comedy film produced and directed by Rouben Mamoulian, with music by Rodgers and Hart. It stars Maurice Chevalier as a tailor who poses as a nobleman and Jeanette MacDonald as a princess with whom he falls in love. It also stars Charles Ruggles as a penniless nobleman, along with Charles Butterworth and Myrna Loy as members of his family. The film is an adaptation by Samuel Hoffenstein, George Marion Jr. and Waldemar Young of the play by Paul Armont and Léopold Marchand. It features the classic Rodgers and Hart songs "Love Me Tonight", "Isn't it... MORE

Love Me Tonight is a 1932 musical comedy film produced and directed by Rouben Mamoulian, with music by Rodgers and Hart. It stars Maurice Chevalier as a tailor who poses as a nobleman and Jeanette MacDonald as a princess with whom he falls in love. It also stars Charles Ruggles as a penniless nobleman, along with Charles Butterworth and Myrna Loy as members of his family. The film is an adaptation by Samuel Hoffenstein, George Marion Jr. and Waldemar Young of the play by Paul Armont and Léopold Marchand. It features the classic Rodgers and Hart songs "Love Me Tonight", "Isn't it Romantic?", "Mimi", and "Lover". "Lover" is sung not romantically, as it often is in nightclubs, but comically, as MacDonald's character tries to control an unruly horse. The staging of "Isn't It Romantic?" was revolutionary for its time, combining both singing and film editing, as the song is passed from one singer (or group of singers) to another, all of whom are at different locales. In 1990, Love Me Tonight was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". The story describes an LESS