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Linwood G. Dunn, A.S.C. (December 27, 1904, Brooklyn, New York – May 20, 1998, Los Angeles) was a pioneer of visual special effects in motion pictures and inventor of related technology. Dunn worked on many films and TV series including the original 1933 King Kong (1933), Citizen Kane (1941), and Star Trek (1966-69). Dunn's career began by about 1923 when he worked as a projectionist for the American Motion Picture Picture Corp. Following a relative to Hollywood, he was hired as an assistant by the Pathé company in 1925. Early films and serials he worked on as a cameraman were The Green... MORE

Linwood G. Dunn, A.S.C. (December 27, 1904, Brooklyn, New York – May 20, 1998, Los Angeles) was a pioneer of visual special effects in motion pictures and inventor of related technology. Dunn worked on many films and TV series including the original 1933 King Kong (1933), Citizen Kane (1941), and Star Trek (1966-69). Dunn's career began by about 1923 when he worked as a projectionist for the American Motion Picture Picture Corp. Following a relative to Hollywood, he was hired as an assistant by the Pathé company in 1925. Early films and serials he worked on as a cameraman were The Green Archer (1925), Snowed in (1926), Hawk of the Hills (1927), Queen of the Northwoods (1929), Flight (1929, Frank Capra's first sound film), Ringside (1929), The Case of Sergeant Grischa (1930), Danger Lights (1930), an early widescreen film, and Cimarron (1931), an Academy Award-winner for Best Picture. Dunn rose from shooting title cards to creating in-camera optical effects. He was hired as a special effects technician at RKO Radio Pictures, his tenure there lasting from 1929 to 1958. This early experience led to the World War II development of the first practical commercially manufactured optical LESS