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Leonard Spigelgass

Leonard Spigelgass (November 26, 1908 - February 15, 1985) was an American film producer and screenwriter. Born in Brooklyn, New York, Spigelgass got his start collaborating on the script for Erich Von Stroheim's Hello, Sister! (1933). Additional screen credits include The Big Street (1942), I Was a Male War Bride (1949), Ten Thousand Bedrooms (1957), Silk Stockings (1957), Pepe (1960), and Gypsy (1962). Spigelgass signed on as a staff writer for Universal Studios in 1938 and was a colonel in the US Army Signal Corps. Spigelgass also was a playwright and penned such dramas as Dear Me the... MORE

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scenes from the film 'Gypsy' starring Natalie Wood.. "Gypsy" is a 1962 American musical film produced and directed by Mervyn LeRoy. The screenplay by Leonard Spigelgass is based on the book of the 1959 stage musical "Gypsy': A Musical Fable by Arthur Laurents, which was adapted from "Gypsy": A Memoir by Gypsy Rose Lee. Stephen Sondheim wrote the lyrics for songs composed by Jule Styne. The film was remade for television in 1993. The film was nominated for Academy Awards for Best Cinematography (Harry Stradling), Best Costume Design (Orry-Kelly), and Best Music Adaptation or Treatment (Frank Perkins). Rosalind Russell won the Golden Globe Award for Best Actress - Motion Picture Musical or Comedy, her second consecutive win in this category; she won the previous year for A Majority of One. Additional nominations included Best Motion Picture -- Musical or Comedy, Best Director, Best Actress - Motion Picture Musical or Comedy (Natalie Wood), Best Actor -- Motion Picture Musical or Comedy (Karl Malden), and New Star of the Year -- Actor (Paul Wallace). Leonard Spigelgass was nominated for the Writers Guild of America Award for Best Written American Musical. Natalie Wood (born Natalia Nikolaevna Zakharenko (Russian: Наталья Николаевна Захаренко);[1] July 20, 1938 -- November 29, 1981) was an American actress. Wood began acting in movies at the age of four[2] and became a successful child actor in such films as Miracle on 34th Street (1947). A well received performance opposite ...

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