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Leo F. Forbstein (October 16, 1892 - March 16, 1948) was an American film musical director and orchestra conductor who worked on more than 550 projects during a twenty-year period. Born in St. Louis, Missouri, Forbstein was attracted to music as a child, learning the violin at the age of four. As a conductor at the Royal Theater in St. Joseph, he synchronized the orchestra with the action in silent films; he then became principal conductor at the Newman Theatre in Kansas City, where the organist was future Warner Bros. colleague Carl W. Stalling. In the mid-1920s, Forbstein relocated to... MORE

Leo F. Forbstein (October 16, 1892 - March 16, 1948) was an American film musical director and orchestra conductor who worked on more than 550 projects during a twenty-year period. Born in St. Louis, Missouri, Forbstein was attracted to music as a child, learning the violin at the age of four. As a conductor at the Royal Theater in St. Joseph, he synchronized the orchestra with the action in silent films; he then became principal conductor at the Newman Theatre in Kansas City, where the organist was future Warner Bros. colleague Carl W. Stalling. In the mid-1920s, Forbstein relocated to Hollywood to head the symphony orchestra at Grauman's Egyptian Theatre. He soon signed with Warner Bros. as one of the directors of its Vitaphone Orchestra, alongside Erno Rapee (then Warners' general music director), Louis Silvers, and David Mendoza; Forbstein's first screen credit was The Squall in 1929. In 1931, Warners dismissed Rapee and Mendoza in a consolidation and economy move and Forbstein became the company's general music director. In 1936, Forbstein and composer Erich Wolfgang Korngold were write-in candidates for the Oscar for Best Music, Score for their work on Captain Blood. The LESS