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Kon Ichikawa (市川 崑, Ichikawa Kon, November 20, 1915 – February 13, 2008) was a Japanese film director. Ichikawa was born in Ise, Mie Prefecture. In the 1930s Ichikawa attended a technical school in Osaka. Upon graduation, in 1933, he found a job with a local rental film studio, J.O. Studio, in their animation department. Decades later, he told the American writer on Japanese film Donald Richie, "I'm still a cartoonist and I think that the greatest influence on my films (besides Chaplin, particularly The Gold Rush) is probably Disney." Eventually he was moved to the feature film... MORE

Kon Ichikawa (市川 崑, Ichikawa Kon, November 20, 1915 – February 13, 2008) was a Japanese film director. Ichikawa was born in Ise, Mie Prefecture. In the 1930s Ichikawa attended a technical school in Osaka. Upon graduation, in 1933, he found a job with a local rental film studio, J.O. Studio, in their animation department. Decades later, he told the American writer on Japanese film Donald Richie, "I'm still a cartoonist and I think that the greatest influence on my films (besides Chaplin, particularly The Gold Rush) is probably Disney." Eventually he was moved to the feature film department as an assistant director when the company became a complete production company, working under such luminaries as Yutaka Abe and Nobuo Aoyagi. In the early 1940s J.O. Studios merged P.C.L. and Toho Film Distribution to form the Toho Film Company. Ichikawa moved to Tokyo. His first film was a puppet play short, A Girl at Dojo Temple (Musume Dojoji 1946), which was confiscated by the interim U.S. Occupation authorities under the pretense that it was too "feudal", though some sources suggest the script had not been approved by the occupying authorities. Thought lost for many years, it is now archived LESS