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Julien Duvivier (8 October 1896, Lille – 29 October 1967, Paris) was a French film director. He was prominent in French cinema in the years 1930-1960. Amongst his most original films, chiefly notable are La Bandera, Pépé le Moko, Panique, Voici le temps des assassins and Marianne de ma jeunesse. It was as an actor, in 1916 at the Théâtre de l'Odéon under the direction of Andre Antoine, that Duvivier's career began. In 1918 he moved on to Gaumont, as a writer and assistant of, amongst others, André Antoine, Louis Feuillade and Marcel L'Herbier. In 1919 he directed his first film. In... MORE

Julien Duvivier (8 October 1896, Lille – 29 October 1967, Paris) was a French film director. He was prominent in French cinema in the years 1930-1960. Amongst his most original films, chiefly notable are La Bandera, Pépé le Moko, Panique, Voici le temps des assassins and Marianne de ma jeunesse. It was as an actor, in 1916 at the Théâtre de l'Odéon under the direction of Andre Antoine, that Duvivier's career began. In 1918 he moved on to Gaumont, as a writer and assistant of, amongst others, André Antoine, Louis Feuillade and Marcel L'Herbier. In 1919 he directed his first film. In the 1920s several of his films had a religious concern; - Credo ou la tragédie de Lourdes, L'abbé Constantin and La Vie miraculeuse de Thérèse Martin - a film about the Carmelite saint Thérèse of Lisieux. In the 1930s Duvivier was part of the production company, 'Film d'Art', founded by Marcel Vandal and Charles Delac and he worked as part of a team. He stayed with them for nine years. David Golder, made in 1930, was his first success. It was also his first 'talkie' , as it was of the actor Harry Baur. They worked together many more times in the 1930s. In 1934 Duvivier collaborated with Jean Gabin for LESS