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James Myers Thompson (September 27, 1906, Anadarko, Oklahoma Territory – April 7, 1977, Los Angeles, California) was an American author and screenwriter, known for his pulp crime fiction.
Thompson wrote more than thirty novels, the majority of which were original paperback publications by pulp fiction houses, from the late-1940s through mid-1950s. Despite some positive critical notice, notably by Anthony Boucher in The New York Times, he was little-recognized in his lifetime. Only after death did Thompson's literary stature grow, when in the late 1980s, several novels were re-published... MORE
James Myers Thompson (September 27, 1906, Anadarko, Oklahoma Territory – April 7, 1977, Los Angeles, California) was an American author and screenwriter, known for his pulp crime fiction.
Thompson wrote more than thirty novels, the majority of which were original paperback publications by pulp fiction houses, from the late-1940s through mid-1950s. Despite some positive critical notice, notably by Anthony Boucher in The New York Times, he was little-recognized in his lifetime. Only after death did Thompson's literary stature grow, when in the late 1980s, several novels were re-published in the Black Lizard series of re-discovered crime fiction.
Thompson's writing culminated in a few of his best-regarded works: The Killer Inside Me, Savage Night, A Hell of a Woman and Pop. 1280. In these works, Thompson turned the derided pulp genre into literature and art, featuring unreliable narrators, odd structure, and surrealism. A number of Thompson's books became popular films, including The Getaway and The Grifters.
The writer R.V. Cassill has suggested that of all pulp fiction, Thompson's was the rawest and most harrowing; that neither Dashiell Hammett nor Raymond Chandler nor even Horace LESS
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