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Franz Waxman (24 December 1906 – 24 February 1967) was a German-American composer, known for his bravura Carmen Fantasie for violin and orchestra, based on musical themes from the Bizet opera Carmen, and for his musical scores for films.
Waxman was born Franz Wachsmann in Königshütte (Chorzów) in the German Empire's Prussian Province of Silesia (now in Poland). At the age of three Waxman suffered a serious eye injury involving boiling water tipped from a stove, which permanently impaired his vision.
Waxman orchestrated Friedrich Hollaender's score for the 1930 film The Blue Angel and... MORE
Franz Waxman (24 December 1906 – 24 February 1967) was a German-American composer, known for his bravura Carmen Fantasie for violin and orchestra, based on musical themes from the Bizet opera Carmen, and for his musical scores for films.
Waxman was born Franz Wachsmann in Königshütte (Chorzów) in the German Empire's Prussian Province of Silesia (now in Poland). At the age of three Waxman suffered a serious eye injury involving boiling water tipped from a stove, which permanently impaired his vision.
Waxman orchestrated Friedrich Hollaender's score for the 1930 film The Blue Angel and then wrote original scores for several German films. With the Nazis in power from 1933, he worked briefly in France, composing the music for Fritz Lang's French version of Liliom, but arrived in the United States by 1935. He was commissioned to write the score for Bride of Frankenstein, his first American film, by director James Whale, who had admired his score for Liliom.
Franz Waxman worked with the director Alfred Hitchcock in four films, including Rebecca (1940), Suspicion (1941), The Paradine Case (1947), and Rear Window (1954). Bernard Herrmann, Franz Waxman, Louis Levy, and Dimitri Tiomkin are LESS
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