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Erich Pommer (July 20, 1889 – May 8, 1966) was a German-born film producer and executive. He was involved in the German Expressionist film movement during the silent era as the head of production at Decla, Decla-Bioscop and from 1924 to 1926 at Ufa responsible for many of the best known movies of the Weimar Republic such as The Cabinet of Dr. Caligari (1920), Dr. Mabuse, the Gambler (1922), Die Nibelungen (1924), Michael (1924), Der Letzte Mann / The Last Laugh (1924), Variety (1925), Tartuffe (1926), Faust (1926), Metropolis (1927) and The Blue Angel (1930). He later worked in American... MORE
Erich Pommer (July 20, 1889 – May 8, 1966) was a German-born film producer and executive. He was involved in the German Expressionist film movement during the silent era as the head of production at Decla, Decla-Bioscop and from 1924 to 1926 at Ufa responsible for many of the best known movies of the Weimar Republic such as The Cabinet of Dr. Caligari (1920), Dr. Mabuse, the Gambler (1922), Die Nibelungen (1924), Michael (1924), Der Letzte Mann / The Last Laugh (1924), Variety (1925), Tartuffe (1926), Faust (1926), Metropolis (1927) and The Blue Angel (1930). He later worked in American exile before returning to Germany for a time after the war.
Pommer was born in Hildesheim, Province of Hanover, to Gustav Pommer and his wife Anna. After a commercial practice with the Herrenkonfektion Machol & Lewin, Pommer began his film career in 1907, with the Berlin branch of the Gaumont company, eventually taking over the Viennese branch in 1910. In 1912, Pommer concluded his military service and became a representative of the French Éclair camera company in Vienna, where he was responsible for their business in Central and Eastern Europe. From 1913, he was Éclair general representative for LESS
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