|
Dudley Nichols was an American screenwriter who first came to prominence after winning and refusing the screenwriting Oscar for The Informer in 1936. The reason for Nichols' refusal was the fact that the Screen Writers Guild was on strike at the time. Nichols wrote the screenplays for over sixty movies including such classics as Stagecoach, For Whom the Bell Tolls, Scarlet Street, And Then... MORE Dudley Nichols was an American screenwriter who first came to prominence after winning and refusing the screenwriting Oscar for The Informer in 1936. The reason for Nichols' refusal was the fact that the Screen Writers Guild was on strike at the time. Nichols wrote the screenplays for over sixty movies including such classics as Stagecoach, For Whom the Bell Tolls, Scarlet Street, And Then There Were None and The Tin Star. Nichols' crowning achievement, though, was probably his collaboration with Hagar Wilde on the screenplay for Bringing Up Baby, considered one of the funniest of the 1930s screwball comedies. This movie, directed by Howard Hawks and starring Katharine Hepburn and Cary Grant, was underappreciated on first release but later recognized as a unique classic. Dudley Nichols served as president of the Screen Writers Guild during 1937 and 1938. He worked on many films and for many years with director John Ford. Nichols has the interesting distinction of being the first artist to refuse an Academy Award, an act followed by George C. Scott and Marlon Brando. Nichols was born in Wapakoneta, Ohio. He studied at the University of Michigan where he was active member of the Sigma Chapter of Theta Xi fraternity. He died in Hollywood from cancer in 1960 and was interred there in the Hollywood Forever Cemetery. LESS |
Scarlet Street Full Movie |
See All |
A box-office hit in its day (despite being banned in three states), SCARLET STREET is perhaps legendary director Fritz Lang's finest American film. But for decades, SCARLET STREET has languished on poor quality VHS tape and in colorized versions. Kino's immaculate new digital transfer, from a 35mm Library of Congress vault negative, restores Lang's extravagantly fatalistic vision to its original black and white glory. When middle-aged milquetoast Chris Cross rescues street-walking bad girl Kitty from the rain slicked gutters of an eerily artificial backlot Greenwich Village, he plunges headlong into a whirlpool of lust, larceny and revenge. As Chris' obsession with the irresistibly vulgar Kitty grows, the meek cashier is seduced, corrupted, humiliated and transformed into an avenging monster before implacable fate and perverse justice triumph in the most satisfyingly downbeat denouement in the history of American film. Both SCARLET STREET producer Walter Wanger's wife and director Lang's mistress, Joan Bennett created a femme fatale icon as the unapologetically erotic and ruthless Kitty. Robinson breathes subtle, fragile humanity into Chris Cross while film noir super-heavy Dan Duryea, as Kitty's pimp boyfriend Johnny, skillfully molds "a vicious and serpentine creature out of a cheap, chiseling tin horn" (The New York Times). Packed with hairpin plot twists from screenwriter Dudley Nichols and "bristling with fine directorial touches and expert acting" (Time), SCARLET STREET is a dark gem of film noir and golden age Hollywood filmmaking at its finest.
Other | See All |

Comments About Dudley Nichols