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Release Date: 1927 Categories: Movies, Silent film, Indie, Documentary, Experimental film, Abstract film, Avant-garde Berlin: Symphony of a Metropolis (German: Berlin: Die Sinfonie der Großstadt) is a 1927 German film directed by Walter Ruttmann, co-written by Carl Mayer and Karl Freund.
The film is an example of the city symphony film genre. A musical score for an orchestra to accompany the silent film was written by Edmund Meisel. As a "city symphony" film, it portrays the life of a city, mainly through visual impressions in a semi-documentary style, without the narrative content of more mainstream films, though the sequencing of events can imply a kind of loose theme or impression of the city's daily... MORE
Berlin: Symphony of a Metropolis (German: Berlin: Die Sinfonie der Großstadt) is a 1927 German film directed by Walter Ruttmann, co-written by Carl Mayer and Karl Freund.
The film is an example of the city symphony film genre. A musical score for an orchestra to accompany the silent film was written by Edmund Meisel. As a "city symphony" film, it portrays the life of a city, mainly through visual impressions in a semi-documentary style, without the narrative content of more mainstream films, though the sequencing of events can imply a kind of loose theme or impression of the city's daily life.
Other noted examples of the genre include Charles Sheeler and Paul Strand's Manhatta (1921), Alberto Cavalcanti's Rien que les heures (1926), Andre Sauvage's Etudes sur Paris (1928), and Dziga Vertov's Man With a Movie Camera (1929).
This film represented a sort of break from Ruttmann's earlier "Absolute films" which were abstract. Some of Vertov's earlier films have been cited as influential on Ruttmann's approach to this film, and it seems the filmmakers mutually inspired one another, as there exist many parallels between this film and the later Man With a Movie Camera.
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