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Arthur Edeson, A.S.C. (October 24, 1891 – February 14, 1970) was a film cinematographer, born in New York City.
He was nominated for three Academy Awards in his career in cinema.
Edeson began his career as a still photographer, but turned to movies in 1911 as a camera operator at the American Éclair Studio in Fort Lee, New Jersey when it and many other early film studios in America's first motion picture industry were based there at the beginning of the 20th century.
When the Éclair Studio was reorganized as the World Film Company, he was promoted to chief cinematographer assigned to... MORE
Arthur Edeson, A.S.C. (October 24, 1891 – February 14, 1970) was a film cinematographer, born in New York City.
He was nominated for three Academy Awards in his career in cinema.
Edeson began his career as a still photographer, but turned to movies in 1911 as a camera operator at the American Éclair Studio in Fort Lee, New Jersey when it and many other early film studios in America's first motion picture industry were based there at the beginning of the 20th century.
When the Éclair Studio was reorganized as the World Film Company, he was promoted to chief cinematographer assigned to the star Clara Kimball Young. Throughout the twenties, Edeson photographed a number of important films, including Douglas Fairbanks' Robin Hood (1922) and The Thief of Bagdad (1924), and the groundbreaking special effects film The Lost World (1925).
When sound came in, Edeson experimented with camouflaging the microphones in exterior shots. In Old Arizona (1929), the first sound film to be shot outside a studio, provided evidence to Hollywood executives that talking pictures need not be confined to the sound stage. The western was also the first film to be made in the 70mm widescreen process, known as LESS
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